In the 1930s, Charles Lang invents an engine that runs using water for fuel. But when he tries to get it patented, he is first offered a ridiculously low amount. When he refuses, he is suddenly several people are pressuring him to sell. The big oil companies don't want the competition. Now he has to try and keep them from getting his idea, and somehow get it published.

Follow an auto mechanic and his growth as he gets entangled in various incidents and meets diverse people.

Follow an auto mechanic and his growth as he gets entangled in various incidents and meets diverse people.

As Tonya Keating grapples with the innate knowledge that her death is imminent, she is compelled to let go of the past and reconcile with her estranged twin sister.

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Who really benefits from technological progress? In Silent Engine, Korean interdisciplinary artist Kahee Jeong uses image and sound to show how the digital divide and an increasingly exclusive future is changing our society. 　　In Silent Engine, Kahee Jeong explores the quiet but profound changes shaping technology and society. Inspired by thinkers such as Seneca, Alvin Toffler and Bernard Stiegler, Jeong reflects on the ‘inability to adapt’ to the rapid technological developments of our time. Jeong shows how these changes can lead to emotional consequences such as alienation, stigma and fear, especially among vulnerable groups such as the elderly, low-income people and those with limited educational opportunities. 　　Using a multidisciplinary approach, Jeong creates an experience that invites viewers to explore the psychological and social consequences of ‘digital deprivation’. Silent Engine asks critical questions about the assumption that technological progress benefits everyone. Instead, it exposes how these advances increase inequality and threaten diversity – a crucial element for a resilient society. 　　Like a ‘silent engine’ propelling change, Silent Engine reveals the subtle forces shaping our modern lives. The work invites reflection on the often invisible divisions in our hyper-connected world. 　　Kahee Jeong is an artist in residence at IFFR 2025. This residency is a collaboration with V2_Lab for Unstable Media, where artists are invited to explore the cross-fertilisation between film and media art.

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

Doug, an aspiring country singer, has spent his life as a loser in a non-descript small town with nobody believing in his heartbreaking voice and talent as a musician. His wife has left him and only his best friend believes in him. But he has one last chance to make it.

Movements of resistance are collapsed and woven together, from reflections of one’s own body in the world today to documentation of Alcatraz, the reclamation of Cahokia, and the repatriation of the ancestors. 　　源自：https://festival.sundance.org/program/film/638a1d8fd406b20ef7f2e032